The Monkey & Hooker's Affair

Betrayal turned into a circus.


The monkey is the traitor, and the hooker is the unfaithful. In the end, they yield to temptation, unleashing the tragedy of the innocent.

Before explaining how I reconstructed this piece, I must recount the origins of the 2006 version. At the time, it was titled "Algo así" (Something like that). A man I then considered a "close friend" sent me a bassline for a collaboration.


What I received was wretched and primitive—two or three monotonous notes repeated squarely, as if someone were merely pounding the ground. Back then, I decided to bolster the track by decorating it with various instruments, including electric guitars. However, as an 18-year-old just beginning to learn music production, my intervention resulted in something amateurish.


After a five-year relationship, my then-girlfriend and that old "friend" began meeting behind my back. Everything turned to ash. The album Asma Mental (Mental Asthma) was born from the ensuing crisis.

After 15 years, I have completely reimagined and rebuilt this track. Its current name is "The Monkey & Hooker’s Affair." Much explanation is unnecessary. The "Monkey" does not merely refer to physical appearance, but to his primitive form of performance—banging out those few miserable notes on the instrument like a primate striking the earth.


Naturally, the "Hooker" symbolizes the partner of that time. This is not simple mockery; it is an expression intended to highlight their impulsiveness, frivolity, and moral dissonance. The original melody has vanished without a trace. The beginning of the song presents the board: an imminent crisis hidden beneath the rug.


Within this crisis, the instruments maintain a chaotic harmony—half is meticulously planned and multi-tracked, while the other half incorporates improvisation and intentional voids. This tension is not just a "secret," but a temptation nearing its breaking point—the situation where the ex-partner was "playing" with a third party. It was playing with fire, while I, unaware, struggled to understand her whims and tantrums.

The lead roles in this crisis are played by the bandoneon, electric guitar, and electronic keyboard. These instruments have been vital throughout the album, but here they gather for the finale. Eventually, silence falls, the instruments vanish one by one, and only the keyboard remains, echoing like a farewell. But that silence is not the end; it is merely a warning.


Soon, a percussion section with a primitive, circus-like rhythm begins to beat. The bandoneon joins with a crescendo, signaling a point of no return. Finally, the guitar explodes, announcing the collapse. The monkey is the traitor, and the hooker is the unfaithful. They yielded to temptation, unleashing the tragedy of the innocent.


This critical point marks the immersion into lust and the complicity in the forbidden. It leads them to a climax while sinking the protagonist into a deep sea of misery, like Icarus. The guitar picking leans into the rhythm of betrayal, making it clear that the monkey and the hooker, in the end, ate the banana together.